3139 Featured_Track playlists

Geronimo’s Cadillac – Michael Martin Murphey

One of the most famous pictures from the American West portrays the Apache warrior Geronimo behind the wheel of an early Cadillac. Most of us have seen this picture countless times in magazine articles, schoolbooks, newspapers and documentaries. There’s something about this image that both shakes you up and moves you at the same time…

From a Motel 6 – Yo La Tengo

En una entrevista el saxofonista Roberto Pettinatto justificó su ausencia de la industria  televisiva diciendo que lo que más le gustaba en la vida era estar en su hogar.

En “From a motel 6” Yo la tengo describe a la perfección la alienación que nace cuando tu casa no es tu hogar…

Say You Won’t Let Go – James Arthur

James Arthur’s career has been one of very public highs and lows. Arthur first gained international attention for winning The X Factor in 2012, but he didn’t have his eyes set on the show until his mom forced him to audition. He had spent the past decade gigging around the UK, trying to break through as a musician with no luck, and found himself too broke to pay his electricity bill…

Hot Topic – Le Tigre – Every Name-Check Explained

This long-lost end-of-the-century dance track is nothing less than a reading list of feminist and LGBT cultural and counter-cultural icons. A chorus of female voices chants noteworthy names to a hypnotic beat and the message to those who were still living at that time was clear and unequivocal: “Don’t you stop / I can’t live if you stop”.

Half Empty Half Full – C-Scripture

This track is hard hitting the lyricism is clever as it portrays different world-views and the artist leaves so much space for the listener to conclude what they relate to and the artist doesn’t compromise the track with unnecessary noises…

Selvi Boylum Al Yazmalım – Jehan Barbur

Jehan Barbur is a Turkish singer/songwriter with an Arabic origin. After graduating from university, she moved to İstanbul to start her professional music career. She didn’t know anyone from the industry when she first came to the city. She went to concerts and bars to meet musicians. After two years, she started live concerts…

Sing Me Something New – Michael Barrow & the Tourists

Track submissions always get me excited and even a little giddy – this one was no exception. I’m so glad Michael Barrow stumbled on this playlist and submitted one of his band’s songs because this week’s track has been stuck in my head since the first time I heard it…and I’m not sorry about it.  

Variations on an Epitaph – Chloé Charody

Suicide.  It’s in the air.  If you’re reading this in the future this was the week where Kate Spade and Anthony Bourdain took their own lives and we all became familiar with the phrase suicide contagion.  And it’s shit – it’s shit for us who remain – who watch the tributes pour in as the tears pour out – and it’s the same damn question every time – Why!? Why?! Why?!

Luminous – Rachel LaFond

One week i’m totally adding Gene Autry’s “Back In The Saddle Again” to the list – oh sure it would defeat the purpose of having instrumental music to help you writers out there but i bet you’re all familiar with the idea of returning to something after a break – it’s a weird thing!

Flight Response – Days of the New

Days of the New, AKA Travis Meeks was a powerful force in the last 90’s rock scene, touring with Metallica and holding down the Number 1 spot on the Billboard Rock chart for a record breaking 17 weeks straight with the grungy acoustic jam “Touch, Peel and Stand”, which came from their debut album titled “Orange”…

Only In Dreams – Weezer

I remember many times walking through the hallways of my high school, locking eyes with the girl of my dreams, yet neither of us stopped to say hello. I was too paralyzed by my fear to know what would become of my feelings. This is what “Only In Dreams” is all about…

Mystic Bounce – Madlib

The legendary, prolific Madlib remade Ronnie Foster’s “Mystic Brew”, along with several other Blue Note recordings, for his 2003 “Shades of Blue” album. This version indeed does have more of a “bounce” to it than the original, with its slightly faster tempo, hand claps, background party noise, and prominent, repetitive kick drum pattern.