Play Video Games
Music to play video games celebrates video game music in all of its forms
featuring artists like
Carpenter Brut, Timecop1983, Ghost, Prince, Monster Magnet, Electric Six
Video game music has come a long way since the primal 8-bit grunts of Pong and Space Invaders. Music to play video games celebrates video game music in all of its forms. It features some of the most important tracks in gaming history and also spotlights more recent music that has captured the imagination. Music to play video games crosses boundaries of genre and style without compromising on its overall sense of direction and flow. Music to play video games represents the standout moments in video game music, from the familiar mainstream songs that have popped up in AAA titles to those pieces of experimental and electronic music that score a new wave of indie classics. It also celebrates innovation in video game music showcasing some of the tracks that have helped to drive innovations in game audio and music technology.
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In Case of Trouble – Darren Korb
20 February 2018
This week we are continuing our exploration of recent classics from indie games with a track from Supergiant Games’ first outing: Bastion. In Case of Trouble was composed by Supergiant’s in house audio and music mastermind Darren Korb who has produced similarly superb soundtracks for the company’s more recent releases Transistor and Pyre. Music and sound are integral to Supergiant’s expertly crafted game worlds. This appreciation for sound is on full display in Bastion, an isometric action rpg that follows a silent but deadly protagonist: ‘the Kid’, as he navigates his way through the myriad of dangers brought on by the apocalyptic calamity that has befallen his beloved native city of Caelondia…
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The Gatehouse (Theme) – Ed GAPS & Luke Whitaker
13 February 2018
Big AAA games studios have money. They can afford to hire big name composers, who produce hours of music, that’s recorded by world class musical outfits like the City of Prague Philharmonic Orchestra. This has never been the case for indie developers who are charged with the herculean task of creating meaningful music that will elevate their game’s visuals and hopefully continue to engage their audience long after the credits roll… and all on a shoestring budget…
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Green and Blue (Koan Sound Remix) – Neil Davidge
9 February 2018
Track 5 on the playlist is Koan Sound’s remix of Neil Davidge’s epic theme for Halo 4. This playlist celebrates video game music in all of its forms, and while the first tracks explored songs in video games, the playlist will mix things up by embracing some of the all time classic instrumental pieces that have appeared on video game scores.
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Obstacles – Syd Matters
9 February 2018
Syd Matters 2005 album Someday We Will Foresee Obstacles borrows its title from the poignant lyrics of it’s 2nd track: “Obstacles”. The intricate but carefully articulated guitar patterns weave through layers of reflective vocals to perfectly capture the feeling of early Autumn in the Pacific Northwest…
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Far Away – José González
9 February 2018
Although he’s probably best known for his 2003 cover of Swedish electronic music duo The Knife’s “Heartbeats”, it’s José González “Far Away” that wins him a place on this playlist. Written exclusively for Rockstar San Diego’s open-world wild-west epic: Red Dead Redemption, “Far Away” has become something of a classic example of video game music done right.
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Short Change Hero – The Heavy
9 February 2018
Track 2 is “Short Change Hero” by The Heavy. The track featured on the band’s 2009 sophomore release The House That Dirt Built. The Heavy are one of those bands whose name you might not know but you’ve probably heard their music because it seems to turn up everywhere…
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Runnin’ Down A Dream – Tom Petty
9 February 2018
“Runnin’ Down a Dream” from Tom Petty’s solo album Full Moon Fever was featured to excellent effect in Rockstar’s Grand Theft Auto: San Andreas. Although only a moderate billboard success on its initial release in 1989, it had become a staple of classic rock radio stations by the early 1990s. Reflecting this trend, the song appears on the in-game classic rock radio station “K-DST The Dust”.